All of this has happened before, and all of this will happen again.
Last night, Battlestar Galactica ended its five-year mission to boldly go where no SF television show had gone before, to the dark side of its contemporary dark times.
It began just after 9/11... and the enemy looked like us. There was paranoia. There was war. There was occupation and freedom-fighting (both fighting for freedom and seeming fighting against it). And as that seemed to fade from memory, the focus turned to the more philosophical, and the war of ideas (the machines had one true god, the humans multiple gods; machines and humans fighting over science and religion).
And then the finale...
The show's final three-hour episode (broken into two parts for these last two weeks), written by series creator Ronald Moore, was as backward-looking as it was forward-looking, was a hopeful as the series had been dark, was as action-packed as the most recent episodes had been cerebral and philosophical... and was simply brilliant.
Spoilers will abound, so don't read if you plan to watch it in tabla rasa mode.
When it was done, as I was trying to fall asleep, with images and dialogue and concepts still crowding my mind, I said to Lisa, "That is how you end a series." Better than The Sopranos (with was pretty damn good), better than The Wire (which was nearing great), better than Buffy (which was flawed but a perfect emotional resolution, and exponentially better than just about any standard network tv series finale, this was damn near perfect.
When Baltar decides to stay with Galactica, it felt right (not just for the series, which needed his character... but for his character, as well, who needed redemption).
When Doc Cottle gives Roslin the final doses of cancer/pain(?) meds, only to be told by the former Prez, "Just light a cigarette and go and grumble..."... the Prez who would then be taught how to triage patients (a black X on the forehead means that the patient just isn't going to make it), it was just right.
When one of the Sixes led the Centurions down the long hallway in preparation for the assault on the basestar, it was jarring, knowing that these Cylons would be fighting for the humans, not against us.
The CIC with cables running to Anders.
When Hoshi, the former lover of the late mutinous Gaeta is named Admiral, and the formerly sleazebag lawyer Romo Lampkin is named President, it felt appropriately pragmatic.
And then the assault.
Oh my frakking gods. Who would have thought they'd use the Galactica as gods-damned battering ram.
Baltar meeting a Caprica Six in the hallway, waiting for the Centurion onslaught... and then they see their angels (whom we had seen before [though mostly we've seen the angelic/mental Six]... but the Six had seen the mental/angelic Baltar after her torture)... it was wonderful, in the truest sense. Full of wonder... and a precursor for more.
Boomer's "repayment" of Adama by returning Hera... and we see the flashback, and it is right.
Baltar's redemption.
The Opera House/CIC.
Cavil's hostage. Then the deal. Then Chief's revenge. Then Cavil's completely selfish, egocentric self-solution.
Then Kara's realization of Hera's notes... and the jump.
The jump: unfrakkin'believable.
Earth.
A prehistoric earth... and the finale slows to a much more contemplative pace.
The plan. The exit of the Cylons. The Emancipation of the Centurions. Bill/Husker's last exit from the Galactica. Ander's guiding of the fleet into the sun (with a hint of the original series' theme playing in the current soundtrack).
The Chief's solo trek to the "island off of one of the northern continent.. up in the highlands" (Scotland?).
The President's flashback to the beginning of her political career, and a cigarette... which would lead to her cancer and...
The President's death and the Admiral's departure, complete with a reprise of the Adama/Thrace conversation that opened the series
"What do you hear, Starbuck?"
"Nothing but the rain."
"Grab your gun and bring in the cat."
Starbuck's vanishing at the "complet(ion) of her journey"... and with her flashback, the sadness that she and Lee would never be together.
[so Starbuck was an angel this entire final season... visible to all who needed her--the human and Cylon races alike (unlike the Baltar and Six angels... who were only needed by each other)... there IS a force greater than us]
Baltar and Six's future of farming (as his father was a farmer)... after learning from their angels that their future would be "less eventful."
Helo and Athena's good-natured joking of what they would teach Hera... Athena, farming and hunting; Helo, hunting. Hera is to be a hunter-gatherer.
The Admiral's talk of the future to the ghost of Roslin.
[At first, I was disappointed that Rosin didn't appear to Bill as an angel. But I get it now... Adama doesn't need an angel... he just needed an equal.]
Cut to black. It's over.
But no... unlike The Sopranos, it's not...
Hera, alone, exploring with a walking stick, down a ravine. A glance up. To God?
The world from the eye of God... moving over land and desert and ocean and shoreline and woods to... a city, a modern city.
150,000 years later.
New York City, and the voice of the angel Six, reading from a National Geographic about the discovery of the first Human, mitochondrial Eve.
The article's title: "Mankind's First Mother."
Nice touch. The National Geographic is held by Ronald Moore, the creator of the series.
And the angels discuss how that first Human was Hera, the offspring of both Human and Cylon.
And then as the angels walk through the streets of our modern city, the kicker:
"Commercialism, decadence, technology run amok. Remind you of anything?"
"Take your pick: Kobol. Earth... the real Earth, before this one. Caprica before The Fall."
"All of this has happened before."
"But the question remains: does all of this have to happen again?"
"This time I bet no."
"You know I've never known you to be the optimist. Why the change of heart?"
"Mathematics. The law of averages. Let a complex system repeat itself long enough, eventually something suprising might occur... that, too, is in God's plan."
"You know he doesn't like that name... Silly me. Silly, silly me."
The surprise is evolution. Evolution is God's plan (though the angel Baltar says that he doesn't like that name... why?).
Science and Religion are not mutually exclusive. They belong together.
The ending is one of reconciliation, like many of Shakespeare's final plays... contemplative, cerebral, philosophical... forgiving. We have seen the enemy, and they are us, and we forgive us.
And then Jimi sings Dylan's "All Along the Watchtower" and robots dance.
"None of them along the line know what any of it is worth..."
Robots dance... and we don't, won't know what we've got (unless we lose it).
The series is over, with a finale befitting its scope and brilliance. As happy an ending as we could ever hope for...
UNFRAKKINGBELIVEABLE... and wonderful and wondrous.
[and if BSG doesn't get Emmy nods for this... for writing and for gods-damnit Mary McDonnell (simply wow)... there should be hell to pay]